Try this for acoustic guitar
On guitar I have two tracks, one panned left and the other right (full or partially panned) . I glue the track contents together so it is a single unit and copy it onto the second track. (i.e. both tracks have the same recording). When you play them they will sound like they are in the middle. I then nudge one of the two recordings forward a bit in 5ms jumps, At about 10 to 15ms suddenly the sound goes wide. It is an awesome effect.
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ScottyDogg "Alternatively, does MT Power Drum let you set panning within the VST? If so, you could always set the panning there and then export a stereo track for song purposes (obviously you'd be very limited to mixing later but for demos etc. that'd be more than adequate"
The VST offers you two ways of doing this, one is this view (see image)
And you will see all the sub-tracks in your track view that can be controlled.
you also get this view you can click on each drum to hear the sound and this is also a visual representation of where they placed the drums in the stereo image
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With harmonies I separate the high and higher and put them either side of the singer
Other considerations are to give your tracks EQ's so as to prevent your sound from muddying the track. For example on Bass you want a low pass filter, below the voice. I normally put all my instruments eventually though a single track and on this I use an EQ with a dip in the section of my vocal range. In my case 80 to about 250hz.
Additionally there is a lot of mud in the lower frequency ranges, boominess from acoustic guitars etc. All instruments need a HPF cutting off everything below 100 hz, except the Kick Drum
I like to visualise the sound as a 3d box(see image)
On guitar I have two tracks, one panned left and the other right (full or partially panned) . I glue the track contents together so it is a single unit and copy it onto the second track. (i.e. both tracks have the same recording). When you play them they will sound like they are in the middle. I then nudge one of the two recordings forward a bit in 5ms jumps, At about 10 to 15ms suddenly the sound goes wide. It is an awesome effect.
And it has a huge library of rhythms and fills
I also use MT Drummer, it also sets up the panning of the drums in the stereo picture automatically. It seperates the elements into their own tracks so you can control the volumes and panning individually. You can also set it up the way you want, with EQ, Compressors and reverbs per track and then save it as a Track template.
Wish I still had this one, actually belonged to my older brother and it has disappeared over the eons
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I finally found a pic of the first electric guitar I owned, no name Japanese fender lookalike
Here I am at age 14, 1976, on the left. The shadows were the flavour of the day at that time
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NGD I picked up this Fender Paramount PM2 Parlor Guitar from Bothners Clearance Store in Cape Town. These are Fender's higher end hand made guitars, still in China, but the fit and finish is outstanding.
Specs- Solid woods, this one Mahogany back and sides and neck
- Sitka Spruce Top,
- Rosewood fingerboard, Bridge and Headstock.
-Quartersawn scalloped X bracing, - Real bone nut and Saddle.
- It comes with a really snazzy guitar case.
- 1930's style Fender logo in Mother-of-pearl,
- binding all round, neck, head and top and bottom of the box
- 1960's style checkerboard Purfling and Rosette,
- 24.75" scale length
- Fender/Fishman specific preamp, tuned to each model shape
- Vintage style open tuners
It came with .12 strings that were quite rusted. I replaced them with .10's and setup the neck relief to the lighter strings. Apart from that the rest of the setup is superb, string height at 12th 2.5mm E to 1.5mm e. I checked the intonation and except for the G string that is minutely out the rest are spot on.
This baby playsbeautifully, hands complaining after 3 hour session yesterday afternoon:
For R6995 this is a superb guitar, all solid woods, exceptional build. The normal price online is about R14K.
There is another one there, a Rosewood back and sides, with Spruce top, only that one is in Sunburst, for R7999, that is the deluxe option. Unfortunately for me is I hate sunburst other would have taken it instead
NOTE: I did publish pics but you cant see them due a technical glitch on the forum
Looking good. I understand Aluminium would be better for heat dissipation.
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Strataxe, So if you change to a LP you will have to change your name then? ;-) Why not have both, a full range of tones.
I don't hold Fender to blame for any of their endorsements, rather Gibson have been the big bad brother lately. Try a Tokai (either Strat, Tele, or LP style)
I also have played from early teens, with similar histories to other stories here. Eventually bought a good guitar in my mid 20's then went cold again with family growing. The last 10 years I have been very actove playing daily, I love my music, it is my escape
They are fun and excellent for little ones as their first guitar
- In Gallo Guitar
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This screams to be tuned to open G DGDGBD, and played with a slide
Bad to the Bone, Walking Blues (Clapton unplugged) Running on Faith (Clapton unplugged) etc
If it doesn't have a truss rod, I think light strings would not be heavy enough to give the neck some relief. It probably came out with 13s or 14s. It has a tailpiece so should be able to handle heavier strings, but take it easy when tuning for the first time.
Dire straits Romeo and Juliet is also played on an Open G resonator, capo 2nd or 3rd fret
Found this
https://guitar.com/features/dan-patlansky-top-10-tips/Looks like he has EVM-12Ls, 200-watt speakers driven from his Dr Zs 50-watt head. The two-knob Keeley compressor pedal is used as a booster, not a compressor, to drive the input of the amp.
I found this related to removing clicks
I'm thinking, maybe, just maybe you could use a compressor with a fast attack, to reduce that click, or even an EQ with a notch filter because the plectrum click is at the same frequency everytime. I'll experiment this afternoon and let you know.
They were my favorite band when I was a teen. R800 is a bit steep
I also notice a lot of plectrum noise when using a mic . I recon it would work better for fingerstyle.
"Goto 12:20 for his 'Big Secret' - Which is splitting and panning reverbs to add depth/size (make it sound huge) - it's a interesting trick!"
That is so cool I am definitely going to try this
What I to create a wide sound is
1. record the channel (mic or pickup)
2. duplicate the track
3. set first track to left, way left or say 9 o'clock on the dial
4. Set the second track way right or at 3 o'clock. This track you need to nudge slightly later. I am using Reaper so I click on the track element and press N to nudge, and start moving it 5ms at a time. (if you zoom in the start of the element you can see it shifting to the right in tiny steps) I have found a sweet spot of 15ms. In other words the right channel plays 15ms later than the left. It's quite magical, suddenly the stereo effect steps inIf I have two guitars I can set the one pair to way left and middle and the other to way right and middle. Imagine the center point between to two dials and that's where the guitar will be with a nice stereo sound.
I didn't expect to do this one and then at the last minute my work asked me to record a Xmas Carol with some of the Staff. While searching I came across this song done by Ronan Keating for NZ Airlines a few years ago. I have further changed to words to a fully South African Flair. The video I created has really funny images that correspond with the words but alas that is huge, 124Mb
Faith Acoustic, strummed, simple bass line, Ukelele plucked on right and hand claps on left.