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Well, it's that time again and we are about to begin my third in a three guitar rollercoaster ride of "Dream" Acoustic builds!

This “Dream” started some 15-20 years ago but started to gather momentum about five years ago when my “research” started. I embarked on the first journey a few years ago and commissioned all five builds within a year with estimated completion schedules until 2015. The first two have been completed with the build thread links in my signature. Both have been a resounding success in my opnion and are just fantastic guitars with superb tone and build quality.

As should have been expected once I received the first two completed guitars I took a more critical look at what I had planned for the remaining three and after much deliberation, cancelled a few and started the search again for the remaining builds. I had felt that the builds needed to be complimentary and none should by design render any of the others redundant (Much like having a LP, Strat, Gretsch, Tele and 335 or 175 I suppose). All of the remaining builds I had commissioned would have resulted in great guitars but I thought that my needs and desires had changed somewhat as to what I wanted out of the “collection”.

I must say that I have never been one of the “which is better” people and rather see each Luthier bringing a unique signature tone and style that may deviate to a certain degree from his own internal reference point. Over the two builds that have been completed I have learned so much about many aspects of the acoustic guitar, tone woods etc. but probably the most significant aspect I have learned is to provide as much communication on what I like and dislike and then trust the Luther’s opinion on the important aspects.

One of the Luthiers whose name kept on rising to the surface in all discussions and research I conducted was that of Mike Baranik. I contacted Mike and after much discussion, the build was scheduled for September 2012.

An article/informative with Mike can be found here: http://acousticmagazine.com/news/interviews/618-mike-baranik

More to come… ?
    Good Stuff Roy

    In anticipation.....
      Great stuff, looking forward to seeing the progress ?
        Excellent! Another one and we get to come along for the ride as well, looking forward to it... ?
          Yeah, . . . . ready, set, . . . GO . . . ?
            The Meridian is an evolution of Mike Baranik’s older models. To quote Mike: "I wanted to continue my asymmetrical body designs and take it a bit further. I also tweaked the bouts and waist, making the lower bout just a bit wider than a CX (15.5") while reducing the waist and upper bout width. In return it creates a guitar that feels smaller and more comfortable, most people can't believe it is a wider than 15".

            By changing the shape and air cavity it makes for a very well balanced sound with excellent volume and projection. I really feel I have made some great improvements with this model."

            Except for the first build (Cornerstone) all builds will have no abalone and the "bling" will be in the wood (as it also is in the Cornerstone) and the unique expression of the particular Luthiers craft.

            The Meridian will have a Florentine Cutaway (probably all my builds will have) and a sound port as well. While I enjoy the benefits of a sound port, if the particular Luthier is not a fan of them then we leave it out but Mike loves them and believes there are benefits to them, as do I.
            I was fortunate enough to secure the last piece of Black Cocobolo that Mike had in his wood stash, after being persuaded by his enthusiasm for this wood. Mikes comments on the Black Cocobolo over a few e-mails:
            “I may have another set of Black Cocobolo available, jet black and dense, makes a fantastic sounding guitar. As it is extremely rare and not replaceable I have paid a fair amount for it. The upcharge is $ but in my view well worth it. I have tried to research the reason for the Black colouring. Two wood experts have agreed that the tree or log was submerged in a river, bog, or mud hole. The wood has a distinct iron smell to it as it seems to have absorbed it into the woods cells. The wood is well quarter sawn and tight old growth grain, which tells me it's very old and probably was discovered after years of being submerged. Sides have a bit of sap that is a grey colour. I will send some pics but I'm not sure I can capture how awesome it is this way.
            The Black Cocobolo taps differently than other Coco, this stuff has a bright tap with sustain for days. This wood was milled and rough sanded in the earl nineties. When I sand it down it will turn a purple grey colour and then oxidise back to black. The pics are not very good and make it appear a splotchy Brown Black. I assure you it is awesome and will in the end be very close to jet black. You will still be able to see grain under the finish. The sides have a nice grey sap stripe running along the edge.”

            So here are a few pics of the Black Cocobolo:



              looks it bit darker than the Bashkin Cocobolo?

                Squonk wrote: looks it bit darker than the Bashkin Cocobolo?
                Much - as a resulty of it being submerged for years. I will probably end up looking almost black or very dark choclate in colour.

                We are deciding between two soundboard pieces at the moment so will hopefully add pics of the final selection and description once that is done.
                  That has to be some of the sexiest wood ever! I rekon it's gonna look awesome when coated. Now I'm looking forward to the traditional Saturday morning updates hehe... :-[
                    Neon Gecko wrote: That has to be some of the sexiest wood ever! I rekon it's gonna look awesome when coated. Now I'm looking forward to the traditional Saturday morning updates hehe... :-[
                    ? I'll have to get Mike into the routine of sending updates on Friday evenings (US time) so I can get back to the early Saturday coffee routine. I still need to bring all these "wooden wonders" to show you Wayne ?

                    P.S. Ihave a few pics of the soundboard wood but I will post early Sat morning for you ? ? ? ?
                      *We are considering two pieces of Colorado Blue Spruce for the soundboard.

                      "Colorado Blue Spruce (Picea pungens) occurs widely in the montane zone of the central and southern Rocky Mountains, from southeast Idaho and southwest Wyoming, south through Utah and Colorado to Arizona and New Mexico.

                      It grows at high altitudes from 1,750–3,000 m (5,740–9,800 ft) altitude. Unlike Picea engelmannii (Engelmann Spruce) in the same region, it does not reach the alpine tree-line. It is most commonly found growing along stream sides in mountain valleys, where moisture levels in the soil are greater than the low rainfall in the area would often suggest. Typically the trees don't normally grow large enough to be havested for tonewood"

                      Anyway, the two pieces are apparently a little different in both looks and tap tone. The first piece we are considering "a little cleaner looking, nice silking with a bit of color running down the center, most of which will be not seen due to the fretboard and sound hole. It has a lower taptone."





                      From Mike: "The second has some typical Blue Spruce traits, some pitch lines and pitch spots. They actually look just fine under finish but not as clean as some other spruces. This one has a higher tap tone than the first, both have nice sustain. It feels a bit heavier and stiffer and I think along with the sound that it will function better in a live gig setting"







                      My comments to Mike were to choose the piece he felt would produce the best tone as that is what is the most important to me.
                        6 days later
                        A few videos of a great player with his Baranik - of course it's all about the player but I thought some might enjoy this while we wait for progress pics in the next few weeks:

                        =

                        I've posted this before but it doesn't make it any less watchable in my opinion ?

                        =

                          Great Moustache ?

                          Good Stuff
                            13 days later
                            I have been away for a little while which means I have some catching up to do:

                            Joining the Cocobolo back:



                            Joining the Blue Spruce top:





                              The guitars will have Spalted Maple Binding to make an almost Black & White look guitar with the dark Cocobolo.

                              The inner side of the double side will be spalted Manchinga:



                              The sides being prepared for bending:



                              The bending process of the double sides:





                                Man I can't wait to see what the piece looks like with a finish on it...
                                  Neon Gecko wrote: Man I can't wait to see what the piece looks like with a finish on it...
                                  +1 Another very special instrument in the making... :goodtimes:
                                    Going along nicely ? I'll be following this thread