- Edited
Good call @V8.
@ScottyDogg had some great input on the last challenge thread that warrants a copy/paste here
Edit. Lol. Nevermind. Just saw the other thread
Good call @V8.
@ScottyDogg had some great input on the last challenge thread that warrants a copy/paste here
Edit. Lol. Nevermind. Just saw the other thread
I have a simplified version Jazzman's setup. I record guitar using an Apogee Jam and vocals using the Rode NT USB (essentially a NT1-A with a built in ADC) and am also using Garage Band on a MacBook Pro. At this point I am tracking any midi using the laptop keyboard... which isn't great but at least gets something that I can work with.
I do have access to a full digital piano with midi out but don't currently have a midi cable (should rectify that). I've also built a load box so I can record my amps directly but it isn't working properly and I haven't had time to debug it so at the moment I'm going straight in with the guitar and using built in amps in Garage Band.
Regarding my workflow... it isn't really bedded down but I do my composition in Garage Band (need to try iReal). I start offline and work out a part of the song, usually just chord changes and basic melody. Then I use the built in drummers to find a groove and lay down a very rough take of the progression. I'll then use the Master track to lay out the overall shape of the song (intro, verse, chorus, verse... etc.) and fill in the rough shape of each, including a very rough vocal take, which I just do on my laptop mic so that I don't need to set anything up. I muck around with key and structure at this stage until I'm pretty much happy. Then I go back and start recording proper takes of each track, starting with any midi work, then bass, rhythm guitar, vocals, lead guitar and finally details and embellishment.
I will say that recently I've only really recorded for challenges so I don't agonise over the perfect take and once a track is down I tend to live with it. I suspect that if I were trying to do something worth publishing I would be a lot more fastidious.
I have a vid that should be coming out today showing a beginner view of how I record/make music. Pretty much covering:
Audio Interface
DAW
DAW Templates for convenience/efficiency
Drum Sample Library
Amp Sims and guitar DI as a starting point
Super brief view of programming drums
Next Steps
So this has come out to around 14 minutes and it's super high level lol. Using it as a starting point and can expand on each part going forward.
Oof - fought long and hard with youtube and 1mbps upload (366meg vid I re-uploaded 6 times haha)
But yeah, here’s a starting video - intent is to introduce the key areas involved (eg audio interfaces, DAWs, recording DI tracks, amp sims, reamping etc) and how to do it all without dropping millions on gear.
Thereafter I will dedicate videos to each key area involved. Had to do it like that otherwise this would be hours long lol
Just a quick edit:
My plan is to pretty much do videos along the lines of:
Would appreciate if you guys could take the time to post some of your biggest questions around these areas (or anything I haven't covered) when it comes to recording music - my goal would be to answer these questions in the relevant videos
Hi there, I have not been here in a long time.
I compose and record at home on my own using the same kind of gear.
I have composed and recorded 20+ b-tracks and some have lyrics.
I stopped recording for about 2+ years ago, I got stuck on my style of playing guitar and composing and I needed to up my style of composing on my guitar.
It sucks composing and playing alone for so long, the only new things you learn are the things you create.
I must say, composing with someone opens doors to tunes stuck there somewhere in your head.
I am not stuck anymore and I have composed new tracks leading me to my question.
Where and how to register my b-tracks and lyrics?
I know of some places but I need some good info and recommending, please and thank you.
ScottyDogg Hi, and thank you for your video. I use Ableton, and have a Roland Edirol audio interface. I toyed with setting up a small studio for own use, but haven't got speakers yet, or a vocal mic or a booth. What is a good home setup (monitoring & mic wise) for a guy who's only looking to record his own creative output? Because this was your getting started video, the high level introduction works well. As a video editor, I'm thinking about creating some explainer videos myself, and in the video realm how you get footage into the computer can sometimes be a challenge. Anything to watch out for in this regard in the audio realm? I'm learning some things about mastering by watching tutorials by Fabio (of Noise, London). What really helps when he manipulates EQ for instance, is to see a zoomed in shot of the EQ plugin. Because your videos may not be watched full screen all the time, zooming in on parts of the screen when you really get under the hood of the DAW will be super useful. In terms of reamping, I have a modelling amp with an output I can take into an audio interface. Not even sure how something like that would work, to be honest. Reamping is a new concept for me, so to learn more about it will be super useful. Keep creating this valuable content!!
daveo1977 Thanks man
So I'll include a home setup discussion in my next video - monitors, interface, microphones (just gotta plan how far to go because for me, I do silent recording of guitars and so don't need to worry about microphones for guitar amps) but perhaps it'd be best for me to focus on how I do things rather than try to do everything. I'd be curious what you guys think on this
A video editing series would be awesome - and if you're keen to do a series, I can give you some feedback on things I, starting as a complete noob, wasn't sure of and still don't know haha (e.g. What should source material look like - lighting wise etc. because obviously there's limits to what can be done when adjusting contrast and gamma etc.....I guess there's overlap here with actual filming (advice here would be helpful too lol) and general workflow). Basically as much as can possibly be gone over without committing to software specific intricacies (can be hard to follow say, Adobe Audition specific tutorials when I'm using Davinci Resolve)
With 'anything to watch out for in this regard in the audio realm' are you specifically asking me for tips on stuff to look out for (there are definitely things here that I will address e.g. balance of lowest possible buffer for decreased latency vs CPU/processing issues when sample rate is too low etc.)
Great feedback on the zooming in on parts of the screen - didn't think of that and I think it's a great idea! I wonder, would this be something I'd need to do in OBS (or whatever capture software is used) or as a part of the editing (bearing in mind that at times zooming would be needed (e.g. your EQ example) or not wanted (e.g. in my vid where I show the drum mapping as audio comes out the respective channel when I click on the particular drum part)?
Interesting point with the modelling amp - so my vid was going to be focused on how I reamp - interface to reamp box to pedals to amp to load box (because it's a tube amp) to pc but I can talk also about other setups (like modelling amp to interface in your example - what amp is it btw? I just want to research what outputs it has. OR amp to speaker to mic to interface)
ScottyDogg I'd probably also record guitar straight in. The amp I've got is a Blackstar ID:15 TVP. It's got an emulated output that doubles as the headphone output, so to use this into an audio interface you'd have to have the necessary cables made up.
Ja, I was thinking about things to look out for when recording your signal to your computer, like latency. Also choices in terms of instrument cable. My electro-acoustic has two outputs, 1/4-inch jack and XLR. Are there rules about what to use when?
You can zoom while you're capturing, or after the fact. The zoomed in portion would probably look crisper if you're zooming in as you capture. A crisp zoomed in image created in the editing software depends on the quality of your screen capture. When we were making content for square television sets (standard definition video), we knew that we could safely zoom in from 100% to 107% without losing picture quality. With high definition video, we can zoom in more, but keep in mind where people will view your videos. A slightly out of focus image on a computer monitor will look more out of focus on a high definition television screen. Let me know what your capture settings are?
daveo1977 Shouldn't need any special cable - normal jack cable should work fine - I would prefer, however, where possible to use a direct output so you have more tonal options later (rather than being stuck with the Blackstar 'speaker simulation' which is applied as a part of the compensated output) but yeah, I'll talk about this more in depth in a vid. Also, I'd prefer to mic an acoustic than use a pickup output (though there are some really cool tricks I might include in a video but in case I don't:
Nothing special on the streaming settings - just straight up 1080p but in OBS I have set it to capture the best possible image (I assume it's basically a low level of compression which would produce a less 'downsampled' (not sure of the correct term lol) image - but I'll check out the exact settings in OBS when I get home later.
ScottyDogg 1080p is great. If live demoing a feature is not required, also think about using still images. You could zoom into the desired portion, capture a still and then layer it on top of your screen capture as needed when you edit.
daveo1977 That's a good plan - thanks man! So just another question - so I know you do video editing - do you happen to know anything about lighting stuff? Like I'm wondering if a simple setup like this would work to provide at least fairly legit lighting in a room that doesn't get much natural light?
https://www.takealot.com/fluorescent-170-watt-umbrella-single-head-light-kit/PLID56132400
I see there's flourescent or led - I'm not sure which is better (but assume for like slow motion and stuff, there may be a bit of flicker from flourescent lighting?)
ScottyDogg I did a quick test last night with only house lights. I'll share the results in a short video, but I had the benefit of natural light for the final shot this morning. I don't know much about lighting, but the guys at No Film School have a ton of videos that may be of interest to you. Here's one to start with: https://nofilmschool.com/2017/12/5-questions-ask-buying-film-light
It's worth testing how far you can push your camera in low light. If you see noise in the picture, you know your camera's sensor is struggling to expose properly.