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Which do you guys think are better?

[url=http://ttp://www.muz.co.za/index.php?main_page=product_info&cPath=115_308_191&products_id=1061]Behringer TRUTH B2030A[/url]

or

[url=http://www.muz.co.za/index.php?main_page=product_info&products_id=3407]KRK Rokit 6[/url]

[b]?[/b]

Speakers will be used to make electronic/housey music. I'm thinking the Behringers might provide deeper bass with the 3/4" bigger sub, which would be favourable for this kind of music. I can get both for the same price.

Advice from the intermediates and pros, please. :)

P.S. New here, apologies if this is in the wrong section.


(old forum) Poll Results: Behringer B2030AS or KRK Rokit 6? or

  • Behringer B2030AS: 0
  • KRK Rokit 6: 5
    I would go for the KRK Rokit

    The bigger sub would be favourable for listenin purposes .... but what about mixing / mastering purposed?

    You would have greater acccuracy with the Rokit and the quality would be better.

    The purpose of studio monitors is to act as a basic reference... So that your end product is well balanced and

    compatible for multi-platform listening....

    How much can you get it for? ?
      I recently bought a pair KRK RP6 G2, yes that's right the RP6 was improved and now called the generation 2(make shure the music shop is not selling you old stock!!! because the old RP6 is dicontinued)

      My thoughts on the RP6:
      Really awesome for the price, perfect for home studios, has a great balance in frequencies.
      (If it is set up correctly with a 60degree angle from each ear and the mixing position creates a triangle that is equal in lenght)

      The behringers:
      Adds to much bass too the mix, and when monitered back on a different stereo..........you will actually have less bass!!!!!.
      With studio monitors its is important that freqeuncy balance is near to flat.
      I'm not saying the behringers are crap, i just going with a company that has been around awhile and know there stuff about speaker acoustics.

      Also go and read some reviews on the net.
        Thanks so much for the advice, guys. Seems the KRKs will be better then. They also look a whole lot cooler!

        Info taken from the links in the opening post (hard to see links on this forum):
        KRK Rokit Powered 6 Generation 2 Studio Monitor
        KRK's Rokit G2 (Generation 2) powered studio monitor is designed to give amazing performance and accuracy for the home or project studio. The G2 Rokit monitor has radically curved edges which virtually eliminate diffraction and provides a wider sweet spot. The Rokit G2 studio monitor also features a great looking cabinet with a front-firing bass port and KRK's trademark yellow glass-aramid composite woofer and soft-domed tweeters. Dual high-power amplifiers in each speaker and active crossovers provide smooth and accurate reproduction. These Rokit monitors have the most accurate response curve in their class ensuring that you hear all of the details in your mix.

        The KRK RokitG2 Series takes value-priced monitors to a new performance level. All of the great stuff that Rokit monitors have been known for (front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone) are still there, but the G2 Rokit studio monitors feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy.

        Welcome to the all new Generation 2 RoKit Powered Studio Monitor Series from KRK Systems. For years the Rokit series has been a popular choice for accurate monitoring in studios large and small. Now the all new Generation 2 RoKit provides a new standard for even better performance and accuracy, raising the bar once again.

        No Pain With Gain
        Why compromise gain structure to achieve a comfortable listening level? As musicians and recording people themselves, KRK asked that question too. So each Generation 2 Rokit monitor comes with an Input Volume Control that provides an adjustable gain range from +6dB to -30dB. Just another way the Rokit lets you focus on your mix, and not on compatibility concerns.

        Catch A Wave, For A 3D Mix
        Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit monitor that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to KRKs award winning performance.

        You've Got Connections
        At KRK, the focus is your mix. But it doesn't stop at creating accurate monitors. KRK appreciates the need for monitors that not only sound great but work easily into your particular set up. That's why you'll find plenty of input options with your Rokit monitor, sure to accommodate any studio environment. So if it's RCA, Quarter-Inch (balanced/unbalanced) or XLR inputs you require, Rockit has got you covered.

        Even More Accurate Than Before
        KRK took a great monitor series and made it better. KRK's engineers and listening panel took the Generation 2Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by KRKs world-class studio monitor engineering team, for clear, low-distortion performance.

        Take Control
        While your Generation 2 Rokit leaves the factory voiced to demanding specs, KRK also knows that no two rooms "sound" the same. As such, each Rokit monitor comes equipped with a High Frequency Level Control. This feature provides specific adjustment of high frequency output most commonly affected by room acoustics. It's just one extra level of control that KRK gives you to ensure the most accurate mix for your particular room's acoustics.

        Don't Be Square, Curves Ahead
        The new Rockit studio monitor looks different, so it can sound better, and in a wider "sweet spot". Traditional rectangular speakers suffer from diffraction as sounds leaving the edge of the cabinet are reflected back into the original sound field, and at different time intervals. This phase distortion creates a "narrow" or boxy" sound. The Generation 2 Rokit series eliminates this issue with radically engineered curved surfaces, so diffraction is virtually eliminated. Simply put, you'll get better sound in a wider area.

        Let's Be Up Front
        Take a look at competitive monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend create bass coupling with walls and corners amplifying low frequency information which will color your mix. The superior design of the KRK Generation 2 Rokit studio monitor's include front-firing ports, which are just the right shape and taper to reduce port turbulence. You'll appreciate the clean and accurate bass performance, this approach delivers, even at high SPL's.

        Power Up!
        A great sounding monitor doesn't stop with a great cabinet and custom drivers. KRKs true bi-amplified amplifier system provides discrete low-distortion power for each driver. While the active crossover systems provide smooth and accurate frequency response, and again, accurate diffraction control.

        KRK Rokit Powered 6 Generation 2 Specifications:

        * Woofer: 6" Glass Aramid Composite Woofer
        * Tweeter: 1" Neodymium Soft Dome Tweeter with Ferro Fluid
        * Input: XLR (3-pin), RCA & 1/4" TRS - 10k Ohm, Balanced / Unbalanced
        * Amplification: 100 Watt Dynamic Power Bi-amp, 24 dB Octave Filters
        * Freq Response: 49Hz - 20kHz
        * Video Shielding: Yes
        * Dimensions (H x W x D): 12 11/16" x 8 7/8" x 11 1/2", 32.1cm x 22.5cm x 29 cm
        * Shipping Weight: 23 lbs (11 Kg)

        KRK Rokit Powered 6 Generation 2 Features:

        * Radically curved front plate design virtually eliminates diffraction distortion
        * Waveguide design provides amazing detail and imaging
        * Front-firing port provides low freq extension without boundary coupling
        * New speaker voicing for even more accurate frequency response
        * 1" Neodymium soft dome tweeter
        * Glass Aramid Composite Cone Woofer
        * Frequency Response 53Hz to 20kHz
        * Peak SPL 106dB


        * Model: RP6G2
        * Manufactured by: KRK
        R4495 - awesome price!
          They do look cool ?

          Welcome to the forum mate....

          stick around , it just gets better
            andrewjbryson wrote: They do look cool ?

            Welcome to the forum mate....

            stick around , it just gets better
            Thanks!

            Unfortunately these speakers aren't for me... But one day I will get my own monitors and be sure to pay attention to this forum.
              Hi PP, welcome to the forum. I did move the thread over here to recording.

              +1 on the KRK's. The RP6's have a really nice low end for the size - tight and accurate. They actually go slightly lower than the Behringers. If you want to go even lower, they have a matching 10" sub, which is also nice (and I saw one selling on gumtree the other day for R2800).

              I very nearly bought the RP8's a while back. The reason I didn't? I bought the KRK V8's instead, because I got an excellent deal on a set.
                Alan Ratcliffe wrote: Hi PP, welcome to the forum. I did move the thread over here to recording.

                +1 on the KRK's. The RP6's have a really nice low end for the size - tight and accurate. They actually go slightly lower than the Behringers. If you want to go even lower, they have a matching 10" sub, which is also nice (and I saw one selling on gumtree the other day for R2800).

                I very nearly bought the RP8's a while back. The reason I didn't? I bought the KRK V8's instead, because I got an excellent deal on a set.
                Thanks Alan.

                Seen the matching sub, maybe go for it as the kid who's getting the speakers progresses.

                I'm sure he'll be more than happy though, going rfom making music on laptop speakers, playing it on an iPod docking station, then going to 100watt KRK monitors. ? ? ?
                  As with any monitor as long as you have it figured out you can mix on it. Like knowing what it lacks when you listen to your mix on another system, Ipod or even in your car.

                  I currently use the RP6's and wanted to sell them when I got them because I found them a bit too pleasing and exaggerated things a bit. Things always sounded too good on there and then in the car it's way to 'bassy', of course due to the size of the car etc, but then why did all my other CD's sound so cool there?

                  I then found my self mixing with headphones (sennheisers) too, not the most advised, but it helped me hear things more clearly.

                  But now I've gotten so used to how they react compared to other systems I don't really need another set at the moment (However wouldn't mind getting some discontinued NS10's ?)
                    KRK!!! The Berringers are a crude remake of the Mackie HR824's and HR624's. And after listning to the once I felt them very harsh.

                    The KRK's do sometimes suffer in the cause because they are pleasing. But I do find them a bit middy. But then again, so was the Ns-10's. A thing to look at though is the space where they are going to be placed.

                    Even though the 6's are listed as nearfields, you still have to do some acoustic treatment of the room. And if memory serves right there are switches on the monitor to selct you frequancy response. So if you put them close to a wall, make sure you selct the bass roll off switch. You might end up mixing something that might sound bass heavy in your studio and then in the car you have this tinny sound.

                    Another point. (sorry if Im rambling on, but I'm quite passionate about my monitors.. ?) After placing them in your studio, 1st listen to some cd's you KNOW. This will give you a good idea of how theyd sound with your material.

                    And dont forget to play them in... Leave them on during the night whilst you play some music through them. Doesnt have to be loud. But the cones need to loosen up. Weird I know, but its worthwhile.
                      Alright, good to know. Will follow your guidelines.

                      Sweet... Managed to reserve the last pair of KRKs!
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