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  • a key point when learning a new style .... (quote from berkley college of music)

hi ya all, here is a quote from "strings daily" , they email me musical input everyday ........ and yes forget that this is written from a violinists perspective, but it is very valid advice and , the same that i give to my students when we start working on a new style......... thats to "listen" and get the important nuances of the new style in your head before you even start picking up the guitar ............. this works for any style flamenco/latin/cuban blues/jazz/classical, cos each style has "trademark" feels,and phrasing one should feel in your head before you can play it ....... for example listen to enough swing jazz to understand how to swing a piece ...so that feel is natural for you ..... and the other thing they mention which i also stress when i teach improvisation is to be able to "sing" a part before you play it ..you will reach a point when you hear the music/changes you need to improv over , you can instantly sing ..in the right key and the correct phrasing what will fit over it , then all it requires is finding it on your guitar this truly makes improv so much easier...

anyway just thought i'd share this piece cos it's a huge step many don't do when learning a new style .

enjoy
Keira

How to Get Jazzed About Alternative Styles
Hardly anyone would argue against the merits of traditional classical training as the foundation of good string playing. Yet for string players wanting to venture beyond classical music into jazz, rock, fiddling, and other genres, there’s an entire spectrum of essential licks and grooves not visible in the classical curriculum.

“The fact that many classical violin players feel humiliated around fiddlers and improvisers, and vice versa, is a sign that some people can do some things but not others, and there’s room for everybody to learn,” says jazz violinist Matt Glaser, who heads the string department at the Berklee College of Music in Boston.

But how to begin? Before you can get groove-based music into your fingers and bow arm, warns Glaser, you have to get it between your ears. Start by exploring recordings of Stéphane Grappelli, Regina Carter, Boyd Tinsley, and others. “The ability to sing the lines and mimic the phrasing is important,” Glaser says, “then you have to bring that to your violin and solve the technical stumbling blocks. It takes constant revisiting and revision. People should tape themselves playing these lines, and listen back and make an honest appraisal: Does that sound right, does it sound natural, does it sound organic in that idiom, or is it forced and unnatural in some way?”

By James Reel
    I agree Keira.

    Actors also do this by researching & living the lives of their characters before they try and act the role.
    They refer to this as "getting into character".
    It seems like the same thing.

    I like the expression: "if you can say it, you can play it"

    Also highlights that the most effective ways of learning aren't by tabs, scores or other "mathematical" notations.
    We learn better by copying what other have done.
    Notations are merely reference items so we don't forget.

    I had an experience of struggling to teach a West African rhythm to someone as it had a very different "feel" to traditional 4/4 with emphasis on 1st note.
    The best solution was to get the person to just listen to the style on CD on near fulltime basis for many days - did the trick.
      true advice,

      Its like that Savana advert, "do you know that the monkey stole my drink" ........no... but if you hum it I can play it ..... ?
        Spot on. Good post.

        This can happen even within your style. I was trying to learn this quick turnaround lick on a blues song. I'd worked out all the notes and was stumbling through it. At some point I was humming the tune to myself in the car and I realised that I couldn't sing that lick. I was just kind of approximating it - slurring over some particular notes. My ability to sing through it, note-for-note, coincided with my ability to play through the lick fluently.
          Yep Keira - you got to live it, to play it.
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