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  • Local Style Spotlight: Mbaqanga guitar

Background [wikipedia](from https://en.wikipedia.org/wiki/Mbaqanga)

Mbaqanga (Zulu pronunciation: [mɓaˈǃáːŋa]) is a style of South African music with rural Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s

Stylistic origins : Marabi, Kwela
Cultural origins : Early 1960s, South Africa

The wikipedia entry goes on and attributes Mbaqanga as a evolution of Maskandi popularized by Johnny Clegg. There's another source, Guitar Atlas Africa that dates the evolution of Mbaqanga prior to Johnny Clegg's influence.


Guitar Atlas Africa w/tabs: click here to read Chapter 6 "South African Strummers and Pickers"

Walking Song sample : https://www.alfred.com/guitar-atlas-africa/p/00-20450/ :

ukapkia (maskanda): Zulu Fingerpicking style, with a droning quality - derived from ancestral use of the mouth bow. Players of this style typically tune the high e string to a D and use it as a done.

Mbaqanga : Electric-pop of the townships in the 60's. Was a representation of the jazz-flavoured marabi music of the 50's fused with the american R&B of the 60's. Played usually with a flatpick with lots of double stops. The bass players of this style often use a fretless bass and slides to get a rather groovey feel. Ray Phiri was a renowned Mbaqanga player.


For today's brief spotlight, we'll look a bit at Mbaqanga specifically

Our Ray Phiri spotlight has lots of clips from his Mbaqanga style - click here for that thread

One of the first commercial albums first to introduce this style to the world was The Indestructible Beat of Soweto

From the complication these two tracks stood out to me, for their guitar parts

Nelcy Sedibe - Holotelani. I'd love to know who was the guitarist on this track, they are just ripping it up - The last two minutes of this track is African style shredding, melodic, very rhythmical and relentless!


Amaswazi Emvelo - Indoda Yejazi Elimnyama


Mbaqanga meets Soukous (Ben Badenhorst on a Fanner Uke)


Reddit


From Comix_Corp on the above reddit thread

  • You don't need any pedals at all for the basics, just a good, loud, clean sounding amp, but delay and chorus are quite popular (especially the red boss delay pedal - can't remember the name)
  • 99.99% of soukous/mbaqanga guitar uses the I-IV-V chords exclusively
  • Speed is important
  • The guitar playing is generally based around arpeggiated chords and repeating patterns, as well as your basic major scale. Not so much penatonic patterns or anything like that
  • Play with intervals. Major fourths are fun.

Youtube

200 African Guitar Tutorials - Licks and riffs Introduction


More African guitar tutorials (Souskous and others) on GuitOp81's youtube channel :

https://www.youtube.com/user/GuitOp81



*Disclaimer: There realllly isn't a lot of accessible info on the internet -likely I've gotten some of this mixed up - please feel free to correct me and develop this thread into something useful!

    Thanks V8, this is a great post about a style and sound that lots of Sefricans right across the spectrum will relate to. It's a sound I love, but haven't tried playing as I feel not a little daunted by it. Perhaps I shouldn't be, and should give it a go. Oliver Mtukudzi, who is actually from Zimbabwe,has elements of mbaquanga in his music. I also love his acoustic playing. Here are two links to his music: the first fits the subject of this thread, and the second highlights his acoustic guitar work, and his unmistakeable voice. Any other "Tuku" fans out there?

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