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"Throughout your life you make thousands of decisions, collect preferences in terms of what you like and don’t like…and no one has these experiences, in this combination – except you. You have a totally unique viewpoint! Celebrate that! You can’t not be you, and that is beautiful."

I agree with the majority of the article, but I think he missed out making a few connections between concepts?

A lot of playing a instrument is about developing muscle memory to free the mind from thinking about technique/theory. And, through these 1000's of decisions/preferences you WILL develop a style.

For the first years of playing (5years? 10years? more?) it haunted me - that I didn't have a my own style and though I could regurgitate things, I felt I wasn't original at all. And that feeling is more common that you'd think, Srv, Jimi Hendrix, Clapton and a bunch of other guys felt similar at some stage of their development.

ATM, I'm working on was feel and listening.

Working on feel, I found rhythmic tools to be creative - now it's far less about the notes and more about the placement in the groove (or just playing with space).

Working on listening, I just listened to whatever interested my ears - perhaps horn parts, piano sounds, synths, whatever. I'd try and replicate those sounds on the instrument - I'd never nail it exactly, but I would find cool things that became part of my sound/style.

And listening also means being able to play what you hear - ear training. I'm at a most basic level, but if I hear something, likely I can figure out the key and start to try out learned patterns - when my fingers have an idea of what works I then just jam till I find something that's fun.

I'v found listening to be really powerful, I get most of my phrasing idea's and tones out of hearing something and trying to replicate.

Not that I can be original or creative on demand. Sometime you need a poke from a jam session with some peeps or a backing tracks or something (GAS to the rescue!) to spark it into life. Other days it'll just pour out your fingers. Musical is a fickle mistress at times!

I agree with what you wrote. I do think that the essence of the article is not in how you develop your own style, or even IF you develop your own style. I got the idea out of the article that you need to be true to yourself. Play what you like, play what you feel. That way your own style will follow by itself.

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