Eujean wrote
Do you look at a mirror while playing and scream at the top of your lungs: "THIS IS THE FLAT 3RD" just after playing the note.
It's been known to happen... ???
For me that's ear training - damn useful, especially for improv/jams but -in the long run- I just want to be more vocal in my lead playing and ultimately play what I sing. The guitarists who I enjoy are vocal players (Jimi, SRV, BB king) & a lot of jazz (bass & guitar) players are all about the melody line - and as Singe & Norio posted there are techniques to playing with the concept.
I've been figuring out a friend's vocal melodies the last few weeks - good all round practice (especially patience). There was some therory involved too - was the melody minor pentatonic, major scale...etc. Though was I found most interesting was the phrasing...
singemonkey wrote
There's no particular *need* to rush all over the fretboard. The trick is learning to play the notes that you want to play, rather than letting your fingers decide for you.
And I can't put it better than this ^^^. Too often I found my fingers moving when the melody didn't!
And it all begun with nursery rhymes...I figured out a handful of major scale ones (the hard way, singing then playing) and built on that. Row, row, row your boat...