DrGonzo wrote
but I guess its a relatively new market and we will just have to wait until a complete infrastructure for everyone to be satisfied. I understand that for now, services like itunes and such care first and foremost for their commercial consumers i.e. ppl with portable ipods and iphones etc where the space on the device is limited and Hi-Fidelity audio is a secondary concern (music is listened to generally on $10 in ears not $600 studio reference cans.)
I reckon it's a opportunity to service a growing market. I'm no longer a fan of physical media for distributing music (Vinyl/CD).
I've a bunch of dj friends, who frequent beatport mainly because they can d/l wav's. For them it's apparently a fidelity issue, especially on bigger sound systems (20K+) at outdoor events.
When sourcing music in a loss-less format for fidelity purposes - we'd surely want to consider the source (What and how was it digitized?). E.g What = was it Vinyl, CD or did the artist supply in digital format? How = What codecs & parameters were used during the digitizing process? Just being available in FLAC doesn't guarantee fidelity (although it usually is preferable to mp3).
It might only be the last 1% in the fidelity chain, but -imho- it still would affect the product you receive.
Slightly off topic : As musicians (amateur or not), we feel strongly about the artist being recompensed fairly for their work? Even in the digital age, it seems major labels are ripping artists off for digital downloads :
http://arstechnica.com/uncategorized/2008/01/radiohead-artists-often-screwed-by-digital-downloads/
But when they retain rights over their music and distribute digitally, they stand to make excellent returns. So...it's not as easy as buying from iTunes and believing the artist is still receiving reasonable compensation. Not that this excuses piracy in any form.
A more current article about Radiohead's internet distribution :
http://www.nme.com/blog/index.php?blog=10&title=did_radiohead_s_in_rainbows_honesty_box_&more=1&c=1&tb=1&pb=1