Wizard wrote:
Glad this has been brought up, as I've had a question that needed answering for a while.
I assumed the whole valve vs. solidstate cult argument related only to signal amplification because of the different responses when the signal was overdriven.
The rectifier is not directly involved in amplification, but rather in providing power surely?
I do realize that a valve rectifier responds differently.
So I suppose the question is whether you're after:
a) valve signal amplification, or
b) a faithful replica of everything related to the "olden days" sound.
In which case you'd surely be best advised to buy an actual vintage amplifier ... or a faithful replica thereof in all of its glory (including valve rectifier, point to point hand wiring, old school caps, cloth covered wire, hand wired transformers, ...)
These components are important and they define the tonal characterisitics of valve amps. That's why the modern AC30 sounds different to a 40 year old vintage AC30...and it's not because the vintage AC30 is
old, but rather because its insides have subtle different specs for eg. the transformers and caps. It is expensive to make handwound trannies and oil caps, let alone the labour cost of a point-to-point wired chassis. In the UK and particularly at Jennings Musical Industries (JMI) these were done by women (the wire-girls ...Dick Denney's wife Dolly was a "wire-girl" ? )
Durind the mid-60's and onwards, many AC30's were "upgraded" to solid state rectification...in this way one could squeeze out an additional 5 watts or so....but those examples are audibly more noisy, run hotter and are less mellow than their GZ34 counterparts.