MoJo JoJoe wrote:
C.LYDE wrote:
MoJo JoJoe wrote:
PRS 513
Since I figured they are a rip-off of the Ibanez S series - my 2c is the Ibanez S (Jap) series.
- Humbuckers for the fat lead or may7 comping.
- single coils for the cut
- Split coil for the twang
Maybe just do some in-depth research before considering a guitar like the PRS 513. Once you've done that you'll know if you're close with your assumption that they are an Ibanez S-series ripoff. There has never been any other guitar that is like a PRS 513. Its pickups are revolutionary and I think they make for the best possible Session guitar when you can have only one guitar.
Of course the best way to go is to have no compromises and as such to have many guitars that specialise at each tonal job. There's a reason top Studios have so many guitars...
Actually come to think of it....Session musos usually don't shoot for a ton of different tones - they have their trademark tones and when they get booked they are expected to deliver just that tone, so maybe this discussion is all in vain.... ?
Don't take all this discussion too serious mate. ?
I'd buy the PRS if they were reasonably priced..! ?
- I actually do tons of research ... on everything...it's my nature and fits my daily job.. ?
- The 513 is a combination of the H-S-H concept and PRS's own 5 way switching. Now look at the old Ibanez guitars - they were the 1st to introduce the H-S-H type arrangement (almost 15 yrs ago)
- sure the parallel/serial switching has always been A PRS thing but the H-S-H is not.
It's similar to giving kudu's to Fender for the S-S-S, 5 way switching or Les Paul for the 3 way H-H arrangement.
As for session muso's and tone requirements - again I say it depends on the requirement of the session. Take someone like Lee Ritenour - much more versatile than most solo artists, and fits the profile of gun-for-hire, hence his known for playing various instruments from nylon strung Gibsons to Valley Arts Strats.