X-rated Bob wrote
OK, I just bought some pups. These are from an Ibanez blazer. Many years ago I had one of these and what you got was 3 pups (a la Stratocaster) with
Master volume
Master tone
5 position blade selector
1 mini toggle that controlled the phase of the middle PUP
1 mini toggle that "tapped" the neck and bridge PUPs
So 2 of the 3 PUPs in the set are "tapable"
I bought the entire assembly - pick guard, switches etc. Somebody has rewired and as far as I can ascertain the set up now is
No options for the neck PUP
Tap for the bridge PUP - controlled by a mini-toggle
A 3-position mini-toggle for the bridge PUP that gives out of phase in one position, "normal" in the middle position and tapped in the 3rd.
Then a5 position blade selector with master volume and tone.
I can't just drop this assembly in. The pickguard is not going to fit. So my plan is to buy a new pickguard, mount the pickups in that and then.....
OK, suggestions please.
I will have positions for THREE pots.
I am toying with the idea of 3 volume pots - 1 per PUP. But I have come across a common mod on strats of late - master volume, tone controls for bridge and neck and thus no tone for the MIDDLE pup (a small variation on the standard strat wiring).
I would like to go back to the blazer scheme of having the tappable PUPs at neck and bridge, but it seems that the extra pot would offer a little more variety.
When I played electric many years ago I never found much use for tone pots, and I would be quite happy to go the three volume pot route.
Thoughts? Suggestions?
Common option for Strats (and the one I have on mine) is volume, tone/neck, tone/bridge, with the middle wired open. This is useful because you can instantly get a bright middle quack at any time, and positions 2 and 4 always have a nice jangle to them. Neck for me is then almost always wide open too, with tone rolled off heavily for the bridge for thicker solo tones. I find the bridge far too bright otherwise.
Obviously, you could set up some presets on your amp/gear to compensate anyway, only switching to the bridge when you hit your "Marshall" tone and using the neck for your "Fender" tone, depending open your amp / pedal / effects choices.
3 volumes will probably be really fussy for live play, and with recording you're free to overdub and change stuff anyway in between takes. And even so, 1 master volume works great even if you do switch pups mid-song.
I reckon you'll get the most versatility from a single volume and maybe the tone for the bridge + tap or the 2 tone-pot route.