PeteM wrote:
Okay Alan you've convinced me to go this route for live work as well as some studio work - the flexibility is enormous. Can you give us some info on the gear required, hardware and software, and their application?
However, I still need to investigate keyboard synth for more precise arrangements in studio work.
I'll try get article two up today. In the meantime, I've got some old notes from a workshop I hosted here:
http://ratcliffe.co.za/articles/midiguitar.shtml
Basically, you need a hex pickup for the guitar, a guitar-MIDI converter box and a synth (or ten :-[). I currently use the Graph Tech Ghost system (hex pickup system), a Roland GI-20 (Guitar-MIDI converter) and a whole slew of softsynths (mostly Native Instruments & Edirol).
Some of the Roland units (GR-30, GR-33, GR20, are guitar synths, which house both the converter and synth in one box. A bit limiting (particularly the GR-20), but more gig ready. The best converter on the market is the Terratech Axon - particularly if you play with a plectrum.
There are limitations to any system, notably an audible delay which increases as you go lower in pitch. There are ways around this, depending on what you are doing. I like using the slower pad sounds and using the guitar sound as the percussive part of the whole, which gives the illusion of instant tracking. If you don't need the guitar sound mixed in, you can High tune or Nashville tune your guitar (lower three or four strings respectively tuned an octave higher) for faster tracking, then shift the MIDI output of those strings down an octave.