There's more to a guitar sounding thin than just less string tension.
Yes, I do think the appeal is for more bass - it gets stronger with heavier strings as well. Longer scale naturally means more tension which excites more vibration in the top for the same amount of effort when plucking or strumming.
I agree I like (no, I love) the full spectrum of the frequency range represented in a guitar with string to string and note to note balance all the way up the neck. I also know that only the "pleasing frequencies" (to the producer and the sound engineer) are more than often "allowed' through on recordings, and hence not so pleasing to you and me, meaning they can make a cheap guitar sound kinda good in a limited spectrum and vice-versa.
The shorter scaled 000 guitars generally have the full compliment of this frequency range when strumming or playing finger style - actually, that is where they stand out I think being less boomy. The smaller bodied Gibsons like the L-00, LG-01 and LG-02 as well as Martin's 00 and 000 bodies are excellent blues/fingerpickers.
The great 000-28EC (Eric Clapton) model and my personal favourite the 000-18GE are short scale and play like butter with lots of mojo and a very sweet tone - so too the 000-42.
Not all OM's are "regular" (long) scale length either. Morgan makes them in both options whereas all Larrivee OM's and 000's are long scale models.
singemonkey wrote:
In contrast, take the tone of say, Keif's guitars on Beggar's Banquet which really cover a lot of dynamic range.
Care to share some more info/links? ?