Ray wrote:
What are these pickups like? - they are a soundhole thing and from what I hear this Seymour duncan is a pretty reliable bunch with good products. Also, I hear so much discussion about other Fishman and Baggs stuff and noone pays these soundhoel things any heed so I wonder why. They just seem so convenient?
Have you ever tried buying one of these things? Go into your preferred guitar shop, walk up to the counter and say "I want a woody."
Do let us know what happens ?
These devices are usually magnetic pickups and thus they tend to sound like a magnetic pickup. The plus side is that they are very feedback resistant. Also installation is usually pretty quick.
There are some interesting variations on the theme. The
Baggs M1 is magnetic, but they have a clever construction that allows vibrations from the top to move the coils slightly and thus colour the output from the pickup. Tom Petty is an M1 user.
Folks who have used them say that the
Sunrise is fab in all kinds of ways. They have a small annual production and so are hard to get (might also be expensive).
All that said, I don't think ANY of the pickups/pickup systems available replicate the sound of an acoustic guitar with 100% accuracy. I think the system I recently got is a step in the right direction and it sounds MORE like an acoustic guitar but not completely the same.
OTOH so what? Maybe you don't want it to sound like an acoustic guitar. John Martyn used an early manifestation of the in-soundhole pickup (De Armand?). It didn't sound completely like an acoustic guitar, but given that he was putting the signal through a volume pedal, an echoplex, a big muff, maybe a couple of other FX and then into an amp absolute fidelity was probably not something he was looking for.
I think the best sounds come from multi-source systems. The system I had fitted to my Larrivee combines and under-saddle element and an internal condensor mike - each bringing something to the mix. A friend of mine gets a pretty good tone out of a Baggs I-Mix which has an under-saddle element plus a contact transducer that fits under the bridge plate. When that I-Mix system was being fitted at McGibbon's they did some experimenting and concluded that the I-Mix plus the M1 gave a very good sound - but that is now THREE sources.
I think that electronics can make a huge difference. My Morgan has a Baggs Active Element which comes with it's own pre-amp. I take the output from that and run it through a little external
Baggs gig-pro pickup, not for boosting, but just to add a little EQ and to warm the tone up a bit. A good DI/pre-amp/EQ like the Baggs
Para-DI can make a difference.