Keira WitherKay wrote:
yeah i love his playing but SURELY HE COULDA CHUCKED THE CHEESY DRUM MACHINE...ok it was cutting edge at that time the korg "i forget the model number... 55 i think " someone playing at his level coulda just had a live percussionist on stage............ sad very sad heheheh proberbly just too tight to pay the percussionist heheheh .......here's a great excuse i heard when i asked someone else why they use a drum machine and the said "you only need to pay for the drum machine once but you must pay the percussionist every show heheheh "
but yeah i love the piece and the effects are way cool and yeah well but one niggle.that damn drum machine spoils it .....
I've got a DVD of Martyn in solo action from a few years earlier. He resorts to an even more primitive drum machine on one track, and I did find it bothering.
He could and often did play with percussionists or drummers, but he did a lot of solo shows as well. I would think that for the odd track (EG the one we're discussing here) he needed something to set those long swells against. Maybe it would have been distracting and/or expensive to drag a percussionist around for just a couple of songs. On the DVD I mention he uses the drum machine for one song, the rest is entirely solo.
I think it was the slow song, with the reliance on effects that forced his hand. If he played a more rhythmic part on the guitar he'd have had to give up those long, slow swells that the song seems built around. Trapped maybe?