Keira WitherKay wrote:
heheh rene thats a trick question surely ......... if you playing to 25 000 people and you don't have a backup guitar ...you deserve to get your eyes gouged out.......
LOL!
I think this thread is really about super-strats (would the poster have been okay with a Jackson or a Charvel instead? I think not). And it's about the image of guitars. This is not an unimportant thing for musicians. An intriguing image is important to putting people in a frame of mind where they look sympathetically at what you play. You can get people involved quicker if they are predisposed to liking the music because of the image (as long as it's congruent with what you're playing).
A guitar is a very small part of it - but often seems quite big to the guitar player because of how much we like guitars. I'm guessing the poster would just as likely gouge his eyes out before performing in a Bryan Adams T-shirt. Since he's not going to find much evidence for poor quality in Ibanez guitars, it's got to be about the looks.
I think musicians should care about how they present themselves. It shows a respect for their audience. I get irritated watching a Clapton video when he's wearing a hugely oversized T-shirt and a pair of jeans. He looks like he just came from a braai. Different music may require different appearances, but it's about showing that you've put a little effort into it.
When it comes to guitars, in general almost anything goes, but we know that certain forms are associated with certain kinds of music. Concert guitarists don't play guitars with cutaways. Jazz musicians play hollowbodies - referencing the heyday of jazz - most of the time. Blues players mostly play classic electrics - solid bodies, or semi-hollows, referencing the guitars played by the Chicago blues players. Despite all this, you can make almost any guitar your own - think Ted Nugent playing heavy rock on his hollowbody.
But the super-strat, I think, is anathema to some musicians, because it's clearly, visibly designed to be as versatile as possible for technical playing (deep cutaways, versatile pickup configurations, 24, fret low-action necks, Floyd Rose bridges). If your music is
against the concept of technical playing (punk rock as an obvious example), a super-strat
says the opposite of what your image is trying to convey. Hence, I speculate, the eye-gouging.