Bane wrote:
hmmm try cutting up a black and a red Jazz III, the red one cuts easier. Pretty sure the red one is softer. But have been wrong on occasion (ok, many occasions ?)
+1
I used Jazz III's but I found they slipped out of my hands way to often and I'd have to grip harder which then tenses up the muscles in my hand.
I then had the idea of taking a blade and scraping deep slits into it on both sides which helped a lot but I thought it pointless to fix a problem that...well...shouldn't be a problem.
So I moved to the Dunlop Tortex Jazz picks as they are closer to JAZZ III picks in size and comfort. (the ones everyone is talking about here) The purple ones specifically because I need very precise picking when I play up to 220 -240 and I need the pick to be stable under my fingers. the green ones are cool for slower tempo picking but that's another problem that shouldn't be a problem.
A friend of mine caught Peter Lindgren's (ex. guitarist of Opeth) pick and it had slits on them too.
I guess it's the same with drummers that put tape on their sticks.
I also noticed the
Jazz Tortex (M3) picks are weak when it comes to strumming because of it's size (which would mean you'd need to limp your hand bit more in order not to break any strings) that's why I realised why Peter used the
Standard Tortex as it was just like the JAZZ tortex in character but better for strumming.
Another thing I require from Picks is that they maintain their "Edge" as it's that scraping sound that adds to your tone, for those that like crunchy scrapy tone ala every band with a breakdown, but I need it because it makes the notes i play alot more articulate and pronounced.
That, in turn, made me think about using stainless steel picks.
Besides slowly ripping your strings apart are there any downsides to using these? Anyone tried these?