Quinus wrote:
And if u worry about the moving air sound u don`t get from modelling, get a atomic reactor amp or something like that, it`s got a valve and if micd up would take care of most of the digital sound.
http://www.atomicamps.com/products-212-50.html
I looked into those as well. The only problem is that you're gonna be spending about R8000 on this glorified monitor.
Sure it'll prob help with the "feel" on stage but don't forget that it's also a full range monitor, which means that the cabinet and speaker modelling will have to be engaged on you POD.
That means that you'll have a speaker and mic emulation going through a real speaker and then being miced up AGAIN... doesn't make sense to me.
The only way for this to work properly is to still go direct to the PA with the XLR output and then going into the Atomic as a stage monitor.
In which case R8000 is a bit steep.
I don't know... this whole monitoring thing was and is a real issue for me. It's my main problem with the Line 6 stuff.
The proper way to do it would be to take the speaker emulation off and go into a tube power amp (usually costing about R12 000 and up) and then going into an actual guitar cabinet (usually costing R6 000 and up) and then you will have an awesome, versatile setup.