Riaan C wrote:
+1. Saw the Voelvry concert at Stellenbosch's Drie Gewels Hotel after rector infamously banned them from campus. James, even though it was the first time I saw him, was the standout act on the night. Hou my vas, korporaal! The place erupted for Snor City!!! I think the Bernoldus persona was an important and necessary catalyst for what was happening underground in the Afrikaans community. James was, IMHO, astute enough to realise that in the Afrikaans youth lay an important Achilles heel, and brought impetus to that movement by adopting that persona.
Recently bought a compilation with some of his Lurchers and best solo stuff on. Absolutely seminal composer and artist ... ?
There's quite a good book/DVD combo about Voelvry. Some lovely historical footage, and an explanation from Koos Kombuis as to how that tour got big. He says it was nothing to do with politics or the mood of the times or untapped anger, it was to do with him saying "p@3s" on stage.
Snor City was a great song. Showed how good a songwriter Phillips was, and had a great groove.
James Phillips left behind a set of demos on piano or acoustic guitar. These were in good enough shape that they could be released and they served as his last and posthumous album. It's called
Soul Ou. That these songs could be released and stand up by themselves in such a stripped down format is another sign of his strength as a songwriter.