Psean wrote:
I've been following this and wondering: why are the woods used in guitars so rarely referred to by their Latin names? And the species, not just the family or genus? Surely that would make things far less confusing. One of those damn tradition things?
...Hard to say if it's suitable or not without knowing what species it is - the different species vary a lot...
I mean, guitarists can be plenty picky about things, tonewoods are one of them and you hear plenty of guys going on about their preferences, but if walnut isn't walnut, isn't walnut etc...
I suppose the marketing guys at the big manufacturers have an easier job if we all think basswood is basswood...
I would think it's all just about money making? The big guys know chick woods they can cash it on. That's why there's the whole Honduran vs African mahogany debate (when little do they know, the first les Paul's were probably made of African 'hog)
It allows them to sell stuff at a higher price by using buzzwords....
I think they also lump woods like basswood and paulownia together with the cheap woods (even though good pieces are superb tone woods) because they're 1) Asian (and everyone knows that anything Asian is not as good as it's USA equivalent :? ) and 2) it's widely available and doesn't command a high price.
Also the fancy names like Brazilian rosewood and Honduran mahogany localise it and makes tem seem rarer for the general population. If they were to tell you the Latin name you'd find that BR grew throughout vast regions of South America while HM was found as far as Cuba and Southern Amazonia in Brazil.
Also if they used Latin names, we'd find that woods like African hog aren't true hogs and Spanish cedar isn't a true cedar.... Then the grumpy guitar players of the world would have more to complain about...
What gets me more is the way guitarists complain about things like engelmann spruce being worlds apart from Sitka and how Indian rosewood is not the same as Braz rosewood but when it comes to one of the most common woods used, that has many different species, we get, "Maple is bright"
Disregard the fact that we have big leaf maple, hard rock maple, Eastern Asian maple etc etc etc all with their own variations and nuances but no.... Maple is bright. :?
It's too much effort to waste your time trying to understand this nonsense.... ? just do what I do... Wood is wood. It may have different overall tonal characteristics but it's still living and prone to discrepancies. For all we know, the knottiest of floorboard pine may sound better than the Brazilian rosewood on a Martin D28