Alan Ratcliffe wrote:
We share a lot, you and I. ? Fingers have always felt more natural for me, and I've always anchored my pinkie (on bridge, pickups or side of the neck). we're in good company - guys like Knopfler and Beck wouldn't be the same with a plectrum.
Unlike you, when I reached "the barrier", instead of unlearning "bad" habits/learning how to use a plectrum, I developed coping/faking mechanisms: using my first finger's nail as a plectrum so I could sweep; refingering so I could arpeggiate parts instead of alternate pick them, etc.. In fact, I've never developed alternate picking chops at all (probably could do, but it's a lot of wear on my nail, which I'd rather do without), which is probably one of my biggest limitations.
Interestingly, the barrier for me was more the single-note stuff than the rhythm - I picked up some flamenco in passing early on and can now do stuff rhythmically that most plectrum players can only dream of. It's not "proper" flamenco technique - I did enough of that to get the idea and then forged on by myself, developing what worked for me on the electric. Same with classical and country fingerpickin'.
All in all, it's been a long, slow slog learning to play as I've never been able to find a teacher who could guide me in the direction I've been moving, without forcing their own preconceptions of technique upon me. The upshot is I do end up doing a lot of fairly unique stuff that is mine and mine alone.
Your style has some Ghostly aspects! :roflmao: