If you are familiar with the blueshawk, what did you think of it?
lots more info
here for those interested.
The top is edge bound and pierced by a couple of f-holes – these open into small sound chambers - more like a Tele Thinline, than large 335-like voids. Despite appearances the BluesHawk is essentially a solid guitar, not a semi-acoustic - perhaps a semi-hollow, although it has much less "air" in it than a Tele Thinline.
The pickups are also deceptive – they look like P90 soapbars – in fact they are a new P90 based design called Blues 90s – with a unique sound that is enhanced by two other unusual features – a hum-bucking “dummy” coil, and Varitone circuitry. These features mean that although this is essentially a single coil guitar, it is hum free under normal circumstances, and you have a palette of 18 distinctive sounds to choose from. The tones range from toppy Tele to warm 335, from bell-like Strat to rounded, woody jazz - all under the control of a six position rotary chicken-head knob, in addition to a Strat style three position pickup switch and single tone and volume controls.
The one piece mahogany neck/headstock offers a less obvious surprise – with a 25.5 inches scale length it is longer than any other Gibson, and the same as most Fenders – this has a big impact on both the sound and the playing experience. The neck profile is a shallow-ish D rather than a clubby V, making it comfortable and fast....
...The bridge is very like a recent Tele, with individually adjustable, cast bridge pieces, and the strings passing through the bridge to the back of the guitar.
