Rob-Brown
well guys its really no big deal my multimeter reads capacitance as well so checking for inaccurate caps would be no worries. Is it safe to assume caps that read under they're rating would change the amps dynamics greatly? What would be an acceptable tolerance?
don't worry Al I'm generally a very cautious person I wouldn't cut corners or do anything without decent research on how to!
thanx makepeace for all the info. What amp projects have you done before? Can restoration be mission without guidance from a tech?
makepeace
signal caps over or under their capacitance value by a normal amount will cause VERY slight differences in the frequency filtering of the signal, not nearly enough to be noticeable by normal people. if a value differs from the rated value+tolerance by too much then its probably safe to assume that it should be replaced. you should be able to read the tolerance on the cap, but a normal value would be +-20%.
i've built a 5E3 with a little bit of help from Karel, loads of effects pedals and a standalone tube driven spring reverb unit - all of them constantly evolving. but i found the internet to be an absolutely amazing source of info. create an account on music-electronics-forum.com and potentially wattkins.com. have learned loads on those two forums. tdpri is also a good one. got a couple of plans on the go: AC15, TW style amp, plexi style amp, hiwatt style amp and then a couple of amps of my own design; a multi-power tube single ended emp, a multi-tube high power amp and an amp using only octal tubes. i'd say if you spend enough time on the internet and you're interested enough, yes. but its nice to have a tech that you can comfortably ask questions - via e-mail or whatever.
Rob-Brown
Ok I know I'm probably gonna get into some trouble for this one but. I've been doing some research and people seem to keep comparing the GA-20 with the 5E3 saying that the main differences in tone and overall sound is from the output transformer. They were saying that the GA-20's OT was smaller than the 5E3's and caused it to become more saturated and lose more low end and because of this there would be very low clean headroom...
Soooo :-[ I know I said I wouldn't "mod" but wouldn't it be cool to put two different OT's on a switch loosely at the back (discreetly) to try and get both tones more usably, then it would solve my ridiculous thought of fx loop by giving me more clean for the times I need it (not having to transport an extra amp). WHILE still only being 4 snips and a quick re-solder back to stock. :-\
(awaiting annoyed posts back ?)
Rob-Brown
@makepeace Wow long list ahead keen to know how they go! Thanx for your constant help and advice!
is the 5E3 a tough build for a first timer?
makepeace
i would say anything is a tough build for someone that knows nothing about it. its a steep learning curve, and it required lots of reading and fiddling. its far from doable though, mine worked the first flick of the switch.
i would suggest that you hear it as it is first. the 5E3 has often been criticized of having far too much low end, and there is a camp that believes coupling and cathode bypass caps should be made smaller. that being said, if you feel that its necessary, it would be pretty easy to do the switchable OT thing, you could just strap the other one to the other side of the speaker.
another thing to note is that you'll need to do much more than the OT to get this to sound like a 5E3. the phase inverter is different (paraphase vs cathodyne - that's where a lot of the 5E3's sound is), the GA has pentode input stages, different signal filter circuitry, different coupling cap value all around.
Rob-Brown
Ok I see I'll need to develop some kind of test amp somewhere along the line where I can just throw different component, circuits etc and make some recordings to understand the tonal differences.
Quite keen to hear the dynamic of those 6v6gt's. I've only had an amp before with 6l6's
makepeace
6v6s are great.. blues bottles.
ezietsman
Yeah don't be afraid of building an amp of your own. Quite of few of the forumites have done so already and there are plenty of places that will provide great kits with instructions which is more than enough for a first-time build. Makepeace was one of the first with that beautiful 5E3 of his which convinced me to do the same (I built a Marshall 18 watt clone as a head) and Shaunf just recently finished a spectacular Trainwreck Express Clone (His first amp build). Nicholas L has built a couple (including a 100 watt soldano clone) and Atilla built an amp. Others include Karel, Gearhead and MikeM each having built multiple amps. There are probably some others I'm forgetting. All in all a great experience, as long as you follow the safety rules very carefully.
Rob-Brown
Oh nice! ? I had my eyes one that 18watt kit for a while they look superb especially with the white tolex. But with the GA-20 having a similar overdriven tone I'd probably try build something either fender, vox or orange voiced depending on the cost.
Would love to build a plain three knob amp head (with fx loop ?) +-15watt but more for clean "jangly" tone
Yoh much respect to Nicholas L can't imagine the work that goes into building a 100w high gain amp like that
ezietsman
Rob Brown wrote:
Oh nice! ? I had my eyes one that 18watt kit for a while they look superb especially with the white tolex. But with the GA-20 having a similar overdriven tone I'd probably try build something either fender, vox or orange voiced depending on the cost.
Would love to build a plain three knob amp head (with fx loop ?) +-15watt but more for clean "jangly" tone
Yoh much respect to Nicholas L can't imagine the work that goes into building a 100w high gain amp like that
The 18 watt is a different beast altogether. Tight bass, lots of drive (extremely loud without power scaling), its a little bit more abrupt and I have some clips I recorded of mine. The 18 watt is jangly but I wouldn't say its best side is its clean side, although it does that better than most because its always a little bit dirty. If you play blues or classic rock, its perfect. It is not "nice". It sounds approximately like the tones Eric Clapton got on the Beano album with a Les Paul. That is the ballpark. Its a great great amp but it is the kind of amp that wants to be cranked and you ride the overdrive with your guitar knobs. If you don't want to do this, this is not the amp for you.
Rob-Brown
Awesome I'll go check for some build reviews on the youtube.
apologies my terminology is normally not always right, by jangly I mean breaking up a bit (tele mid pos) I never use completely clean tone I hate it, sounds to sterile form my lack of playing ability.
I love overdrive but hate overdriven reverb and delay, so just want that middle ground where its got some grit when pushed doesn't mush up overall tone with fx on (don't know if that makes sense. And then with an overdrive pedal before fx the amp opens up easily for a thick drive tone.
But would probably be easier with a clean amp and 2 or more overdrive pedals.
ezietsman
On my amp I run a TC Electronics Hall of fame into the front (no effects loop). Even when the amp is driven a bit (i.e. the attack is overdriven) the decaying note and reverb does not necessarily get distorted too. I think the signal level of the reverb is low enough to not overdrive the power section. So there's a good bit of 'driven region' on the volume knob where you have both overdrive and clean enough reverb sounds. I'll make some clips of that at some point, I have a Tele too.
Rob-Brown
Cool that sounds promising I'll definitely look into that 18watter!
Madmuso
I have 2 Gibson vintage amps , a 1947 Gibson 9 and a 1954 Les Paul GA40 . Both are original and work well .
If you want to modify the old amp then just buy a roland cube !!
If you want to sell it or swop for a fancy modern amp with effects loops ect let me know !
My amps tend to stay at home on retirement and I use a Laney valve amp for playing out . I dont mind if that gets stolen !
Steve
Rob-Brown
Yeah bro honestly speaking out of lack of experience I don't know anything about vintage amps and I probably won't appreciate this amp yet. And as much as I'd love to sell/swop/even give this amp to someone who appreciates it I won't coz I know it will be a massive regret in future.
Deals like these don't just happen by accident.
If I had the kind of money to spend on gear like most of you GFSA dudes I'd have an amp for each genre but I'm just trying to make do with what I got.
I've grown up listening to bands with ideal modern tones and its taking a while to get that sound out of my system and I wana understand how to use amps that sound the way they are supposed to.
And again I apologize for the "modding" questions I didn't realize I'd be stepping on so many toes. I was only asking coz I didn't know.
I've gotten in this weird modding phase, my DL4 has already got knobs all over that I didn't need and I've only had it 3 months. I didn't like the look of my combo transistor amp so I rehoused it in a cream 212 cab and head. I had a fmt custom HH fender tele that I routed a big hole into to put in a kahler tremolo(that guitar was my most expensive musical investment at the time).
Hope that helps justify me asking the silly questions. And I am by no means good at modding anything. Yet I think chis77 is still happy with that tele ?
So can we now please put the criticism away I might be a gear noob (mostly coz i'm poor ?) but I've been playing guitar long enough to understand the tones I like.
Rob-Brown
And by the way telling me to buy a roland cube that is insulting! It doesn't have an fx loop! ?
vic
Rob Brown wrote:
And by the way telling me to buy a roland cube that is insulting! It doesn't have an fx loop! ?
Hi Rob...no problem ?
The thing with extremely rare amps such as yours is to keep it as original as possible. New caps/valves, etc are fine...but once you start modding these amps (even recovering it) you destroy the historic value and importance of such ....
Not to be negative, but you may not like the tone of that amp (compared to modern ones). Gibson, unlike Fender and Vox, was never well know for making great sounding amps. I have never heard a Gibson amp, so what I'm saying is just hearsay...... But be as it may, keep it
as is for what it is.
In the antique business it works the same....many a rare piece have been completely bastardized by eg. over cleaning or re-varnishing it....resulting in destroying the value and historic character of it.
Enjoy that amp ! ?
guidothepimmp
As jp said to me, with older amps, don't try change them into something they're not. Just enjoy them for what they are.
Fix that babe up and jam it I 8)
Sean
Shame, Rob got the message loud and clear a couple of pages ago ?
We don't mess around here Rob, I bet you're going to think four times before asking for any advice in future (especially after having Aja of all people sticking it to you) Hahaha Talk about a GFSA baptism of fire. Must say, you've taken it like a trooper ?) BTW seriously cool amp ?
Rob-Brown
Cool thanx guys! Next post: vintage gibson ga-20 in a perspex 212 cab with backlit LEDs and a 15 band graphic EQ :roflmao: ...just kidding!
Haha was a lil intense had to sit infront of the mirror weeping . . . naked. . . for a few hours but I recovered.
By the way I talk a lot of utter rubbish at times so just put some crap filters on your ears(eyes in this case) when listening to me. ?
When this amp is running give me a call if any of you swing by PE side and we can crank it as much as it goes(probably as loud as my cellphone).
