Nitebob wrote
Hey guys,
Thought I'd tap into the wisdom shared throughout the pages and ask a simple question?
How is the decision made to catagorise music? Example: Who decided that Taylor Swift is a country singer? Is it based on certain basics within her music? Chord progression? Did she decide she's a country singer? Is it due to certain featuring instruments? (Lapsteel, fiddle, or harmonica not always present)
I know this might come across as stupid initially, but if you think about it, I'm sure you'll get what I'm saying. A lot of her music doesn't sound much different from Avril Lavigne, which is definately not country.
Likewise with groups like Rascal flats. They are also catagorised as country, but sounds a lot like Bryan Adams, which is catagorised as pop/soft rock. Just wanted to get your various opinions on this...
There's a practice which, as far as I can tell, started with Shania Twain's block-busting
Come On Over. Now how "country" did that sound to you?
What happened was that there were TWO releases of that album. The first, in 1997, was a commercial country affair, released in North America to capitalise on Twain's reputation on the country circuit - and it did well. Then a year later, in an attempt to cross over, the "international" album was released. Same songs, but lots of remixing with a lot of the traditional instrument parts deleted and replaced by synths, electronic drums and overdriven guitars, even different promo videos. That was the one that we got here, that most countries got and we're all quite entitled to go "huh? THIS is country?".
You can make very good money on the country circuit, but to make the really big money, to have the mega-hits, you need to have something with international appeal - hence the two versions of
Come On Over (both of which did their job).
This is easier for songwriters, by the way, and quite a few have had a song do well - with different artists - in different markets, notably the American R&B and Country charts. A famous example was Dolly Parton's "I Will Always Love You" which crossed over first into R&B and then was a global smash hit when Whitney Houston recorded it. Even Richard Thompson had a bluegrass hit (as a songwriter) when Del McCoury covered "1952 Vincent Black Lightning" and took it to the top of the Bluegrass hits (McCoury changed the words a little, James and Red Molly rode down to Knoxville rather than Box Hill).
Anyhoo.... maybe most markets are getting the "internationalised" versions of Taylor Swift's recordings.