symbolofmylife wrote:
Ya I've also been thinking that we should maybe drop it down to two rhythm tracks.
If your looking to make incredibly heavy sounds this is generally the better way to do it, add to that a lot of side chain compression if you want that heavy modern metal sound. Also less drive actually gets you more punch and articulation which you want for heavy sounds, I'd recommend turning down the gain and low end and upping the midrange. In the case of gain it has a cascading effect when you use multiple high gain tracks that can and normally does make the final track quite muddy.
With 4 tracks you've gotta be incredibly tight, and there's a chance that one of you not being as in time as you'd like that's creating said chorussing effect. If everything is only slightly out with 4 tracks it cascades and can be quite unreasonable.
Also for heavy sounds you want it as dry as possible, no delay, no reverb etc - if you wanna add that do it in post production or you take away from the tightness. You've also said that you use slightly different EQs for each take, in most if not all of the interviews with guitarists and producers talking about multi-tracking they prefer to use one sound for each side of the take, I know I've tried using multiple amps and seperate EQs for doing multitracks and the results tend not to be as complimentary as having one good powerful thick sound and just doubling it.