ryanguit wrote:
technically i want my live sound to stay as is... but i want the PA feed to sound like the engineer wasn't retarded.
I'm sure both units can emulate stuff effectively, but which one is the simplest to use for just an IR so the PA sound isn't sound-guy-put-the-mic-funny-tonight. so the DI is between head and cab, and just the cab has to be emulated. all the stuff the tubes have to, they do. i own a redbox and even a bad convolution kills that.
if the Kemper/AxeFX can capture the whole thing even 90% i'm not going to carry my rig... but i will still use a pre IR send to a poweramp and real cab for monitor...
can they both do that? (the pre Cabinet send and the post cabinet modelling to PA simultaneously) all the stuff on youtube is based on direct to PA/soundcard comparisons... so i guess I'm just going to have to hear them in person and make up my damn mind.
which unit is really good at being a glorified redbox/cab sim.
overkill? i dont care the HD series couldn't... not even close
Oh ok now I get it. But yeah, a friend told me that they once played a gig where they "sound engineer" told him when he he moved the mic to another position, that he isn't allowed to do that because he "doesn't know what the PA sounds like"?!? WTF!
That's why I also think it's a good idea to take the mic-the-cab part out of the engineers' list of things-to-do. Haha
So with your setup as it is now, you're already set to have signal from the amp split into two, one for a convolution unit and another for the cab. Isn't the Axe-FX then a bit expensive to use just for convolution hehe ?
Don't know about the Kemper, but I'll just tell you what is possible With the Axe-FX.
Yes to everything hehe
Seriously though, yes you can send out a signal before your cab IR so you have a signal going to a guitar cab and then another signal for the sound guy.
You have two stereo outputs. Also having global delay, EQ and reverb settings, you have seperate graphic EQs that will affect each OUTPUT of the Axe-FX, thus EQing everything coming out the AFX and then you can also increase/decrease the reverb and delay mix of all patches with the global settings.
That's kind of how I use it now, except I don't take an output right before the cab IR, I take it before everything, so when recording, I have a dry signal that I can use for reamping.
There probably exists something like convolution rackmount gear, maybe/maybe not. I also don't know about their I/O capabilities.
The AFX has space for ten custom IRs. Axe-FX II has a lot more slots. You can either make your own IR or buy them. I bought all the Redwirez cabs and it's something like 30000+ IRs.
I you know what you want then one cab model is only a couple of dollars and you get like 14 mic models, 10 distances each and 4-6 different speaker positions (Cap, Cap Edge, Cone, Cone Edge, and sometimes cap off-axis and cap edge off-axis).
There's a free cab IR on Redwirez website to check out. A Marshall 1960A cab with Celestions G12m speakers.