facemelt wrote:
The best advise that I can give if you do wana try, is to get speakers that have a high Xmax and that the free to air resonance Fs (Hz) is as low as possible for the size of the speaker. Xmax is the distance that the cone can move up & down the greater the better cos there is less distortion at high db's.
Hmm. Disagree. Monitors do not need to be anything special, since they are supposed to sound like the speakers your audience will be using to play your mixes/masters. They do not need to have high volume capability since they're supposed to be used inside a studio, which tends to be quite small. They also should not have extreme bass response (either low or loud) because this will throw off your mix when listened to on less bassy speakers.
Fritz Brand wrote:
I don't know hey, my personal feeling is that I'd probably try to build my own Hi Fi speakers and maybe even stage monitor, but studio monitors I believe is best left to the pros.
Hmm. Disagree more.
Firstly, speaker building is best NOT left to pros since they want to make too many to use the best materials and construction. Nothing beats thick MDF (supawood) cabs except maybe HDF which is very hard to get. Pros don't use it since it's too flippin' heavy to transport. There's a couple more things I could mention, but the bottom line is every time: the best speaker money can buy is DIY, true for any price range.
Secondly, as stated before, what's so special about studio monitors? If you really want your monitors to be reference quality, go and build a pair of Scan Speak Reference Monitors or Lowther DX55's. What you do not want to do is design it yourself unless you have an anechoic room and some serious measurement equipment.
Please don't buy speakers ready made. It's just kidding yourself.