Bob Dubery wrote:
Toto effectively were a later manifestation of the studio band-for-hire. They were hired for Boz Scaggs's "Silk Degrees" album, and shortly thereafter decided to try and become famous in their own right.
And what a brilliant album that was Bob. I don't know if it's available in SA but I found a DVD in the UK 'Boz Scaggs Greatest Hits Live'. Highly recommended. The band is notably lacking any members of Toto but the album sound is recreated almost perfectly. Re Toto, wasn't the late Jeff Porcaro brilliant, a real drummer's drummer. He must have had quite a track record in sessions. His teaming up with Abe Laboriel was sublime. If you can get hold of Larry Carlton's 'Sleepwalk' album from 1982, it's a great listen. The UK's Hi-Fi News made it album of the month on release, just beating Al Di Meola's 'Electric Rendezvous' into second place.
I suppose the same thing happened with Booker-T And The MGs who were essentially the Stax house band. Bass player there was "Duck" Dunn.
I wonder how many people who saw the original Blues Brothers movie realised who they were?
Sometimes these guys don't know what they've played on what they haven't if they've been really busy.
Carol Kaye is a typical example. She claimed to have played on some of the late James Jamerson's Motown hits, which upset his family greatly. Until Motown moved from Detroit to Los Angeles, they only had two bassists, Jamerson and his successor Bob Babbit, who is white. One of the three guitarists was white, Joe Messina, and they were known in the studio as the 'Oreo Cookie' guitar section for obvious reasons! Messina was a really seasoned musician, having played with the likes of John Coltrane and Miles Davis.
I'm hoping all this historical stuff isn't boring all the younger guys! To do a switch, I'm wondering about a bass cab. As I don't really play any longer I got rid of my amplification and bought a Hartke HA2500 for tinkering around at home. It's compact, fairly powerful at 250w RMS, 10 band EQ, compressor, effects loop, passive and active inputs. I got hold of a 15" Eminence speaker, which I believe Fender use, and have been experimenting with different enclosures, vented, infinite baffle, etc. Keeps me occupied! I'm not really interested in shopping around but I'd be interested to hear what guys out there still gigging are using for bass amplification - and what they aspire to!