From an interview I just read
I can see how you might use autotune on a record where you just want to sweeten things up a bit, there’s a bass note a bit out of tune, there’s a harmony note a bit out of tune … I think maybe that’s ok, maybe if you didn’t use it it would be better, I don’t know, because some of the records that we like, that we grew up listening to, things are out of tune … things are out of tune, things are out of time, but they’re classic records … and if you sweeten them up too much, if you pull the tuning in too much it’s going to lose something … there’s a certain edge that’s going to be missing … using autotune live I think is very controversial, as far as i’m concerned I don’t like the fact that there are people having their vocals tuned in concert, it feels like it’s kind of cheating, it’s a misrepresentation to the audience, you’re saying that you’re a better singer than you really are … there are also performers who have other singers offstage who are basically singing their parts, if not for them then certainly along with them … so it’s like a double track. Because stage shows are very energetic these days, people are dancing around, it’s almost as if there’s more focus on the show than there is on the musical aspect … it’s the lights, it’s the production it’s the dancing and it’s the singing … and the singing is a component but it’s not the main factor, maybe … so they’re tuning vocals, using other singers, all that kind of stuff
Now this amazes me - or does it? Performing artists, supposedly able to sing, with extra singers, duplicating their lines, off-stage?
Yes... I know they have a lot of dancing and stuff to do, but even so...
Any ideas? OK.... the obvious one is Milli Vanilli, but does this practice still go on? (the interview is very recent, not dragged out of some archive)